| REED ALL ABOUT ITSCI-FI AUTHOR IS WORLD-FAMOUS YET LITTLE-KNOWN IN HOME STATEby Jeff KorbelikLincoln Journal Star -- Sunday, January 11, 2004, page 1K
     In the basement of a tiny house
      on a quiet street near Antelope Park, the most famous Nebraska
      author you've never heard of follows his passion.o o oSitting at a computer, surrounded
      by an ecosystem of giant plants and an aquarium filled with fish
      of various sizes and colors, science fiction author Robert Reed
      lets his imagination fly.
 He asks "what if."
 What if the crew of a spaceship
      discovers a planet within the ship's hull -- the premise of his
      critically acclaimed novel Marrow.
 Or what would happen if 1,000 people,
      by their superior wisdom and abilities, are chosen to safeguard
      humanity's future, as is the case in his latest book, Sister
      Alice.
 His creativity surprises even his
      wife, Leslie.
 "It's amazing to me a lot
      of the time," she said. "Day-to-day life, he is very
      prosaic, but when I read his stories, I say, 'My God, where did
      this come from?'"
      Robert "Bob" Reed,
      47, relaxes on the couch in his living room. The early afternoon
      sunlight pours through the picture window and bathes the Christmas
      tree across from him.o o oThe family dog, Roxy, a 10-year-old
      brown and white Siberian Husky, snoozes in the corner. His 2-year-old
      daughter Jessie's toys are scattered here and there on the floor.
 The rail-thin Reed is in blue jeans.
      He has pulled a black Lincoln Marathon T-shirt over a long-sleeve
      white one.
 The marathon shirt hints at his
      passion for long-distance running. He can be found regularly
      on Lincoln's streets and trails and competing in local road races.
 His hair is dark and wavy, it and
      his signature beard streaked with gray.
 "Was there a turning point
      in your career?" the interviewer asks.
 Reed shakes his head and smiles
      slyly in response to the question.
 "It seems like there are turning
      points, but there aren't," he says. "I mean, when I
      made my first sale, I thought, 'Well, that's it, now I'm a writer.'
 "The second sale I won the
      Writers of the Future award, but I can't say it was anything
      more than a nice little moment.
 "The first novel...the first
      time I was nominated for a Hugo...All these things I look back
      on as moments, but not as turning points," he said.
 Reed has published more than 100
      works, including 10 novels, since winning the L. Ron Hubbard
      Writers of the Future contest in 1986 -- one year before
      he dedicated himself to writing full time.
 Today he is considered one of the
      top (and most prolific) science fiction authors in the world.
      He is adored in France and loved in England.
 His short stories appear regularly
      in the Magazine of Fantasy & Science Fiction and Asimov's
      Science Fiction.
 Sister Alice, released by
      Tor in October, is available in the science fiction/fantasy sections
      of most bookstores.
 And though he has had no turning
      points, he has had a few epiphanies, including a memorable one
      in 1984 -- he remembers the year because, like most Nebraskans,
      he can tie it to a significant football event such as losing
      a national championship on a failed two-point conversion.
 He had just moved to Dallas, where
      he believed the bright, clear days would help open his mind and
      aid him in becoming an accomplished writer.
 Writers think that way.
 "While I was there,"
      he says, "I realized most of the writers I respected and
      wanted to emulate all had terribly gray hair."
 "In other words, this is a
      slow business to have success in. There are exceptions, but for
      the most part it's kind of like the last writer standing,"
      he said.
 When told he's beginning to show
      signs of aging, he readily agrees and ends this part of the conversation
      with a metaphor.
 "I've got gray," he says.
      "I've got plenty of gray. I'm creating a career slowly,
      like a coral reef."
      Reed was 12, maybe 13, when
      he filled a couple of spiral notebooks with words.o o o"I tried to write a novel,"
      he said. "It had one thing happening after another. It seemed
      to be science fiction. It was a strange place with monsters.
      I was heavy into monsters."
 Uncharacteristically, Reed set
      his pen aside and didn't pick it up again until college. He admits
      he "obsessively" does things, from long-distance running
      to writing to landscaping his back yard.
 But for some reason, writing didn't
      take hold back then.
 "If I would have stayed with
      writing, it definitely would have changed my life," he said.
 The reason he came back to it:
      He thought it would be an easy way to make money.
 "I know, it was stupid,"
      he said. "I was extremely naïve."
 Money was also why he majored in
      biology at Nebraska Wesleyan University.
 "I always kind of thought
      if I needed a job, that would be a really rich area to go into,"
      he said.
 But then he discovered he didn't
      want to be a scientist. He learned he wasn't into lab work --
      he worked as a technician at NWU from 1979 to 1980 -- or conducting
      experiments.
 Theory was a different story.
 He found he was partial to such
      subjects as quantum mechanics. This explains his penchant for
      science fiction instead of mysteries, westerns or romance.
 "I like science fiction because
      it has ideas that interest me," he said.
      Reed is a far cry from the stereotypical
      science fiction author.o o oHe didn't read a lot from the genre
      growing up.
 He still doesn't.
 "I've never considered myself
      a fan," he said. "I'm not in 'fandom.' I never attended
      a convention until I was a writer."
 Even his work is atypical.
 Most of the industry comprises
      novels, series and interrelated worlds and universes.
 Reed prefers to jump from one idea
      to the next, usually in short story form.
 "I like to have an arena where
      I can get the thing done," he said. "Play with the
      concept, but not marry it. I don't want to live with it for months
      on end."
 There have been exceptions. He
      just finished writing the sequel to Marrow, his biggest
      commercial success. It's slated for release early next year.
 "I enjoy this ship I built
      and its possibilities, so I'm willing to spend more time with
      it," he said.
 And unlike some of his peers, he
      avoids the limelight.
 He probably is one of the most
      celebrated Nebraska authors you've never heard about. His latest
      novel is not on display at local bookstores. In fact, most of
      his novels are available only at libraries or through mail order.
 Granted, science fiction doesn't
      stay in print long, which makes it difficult to showcase a writer.
 But a more likely reason for Reed's
      anonymity outsid sci-fi circles is his own selflessness. He is
      not one to toot his own horn.
 "He's not huge into publicity,"
      said Scott Clark, a Reed fan and Web site manager for the local
      science fiction club Star Base Andromeda.
      "He appreciates the writing more than the self-promotion."
 His friends acknowledge as much.
      Running partner Marty Berger said their conversations rarely
      are about Reed's profession.
 "We talk all the time, but
      we talk about sports (Reed is a Chicago Cubs baseball fan), about
      gardening and about fish ponds," Berger said. "We talk
      a lot about fish ponds. He's got me into them."
 Reed said his wife, Leslie, a reporter
      for the Omaha World Herald, has encouraged him to be more aggressive
      about getting his name out there.
 "She told me if I was a more
      difficult writer, I would get better attention," he said.
      "So I would start acting more difficult around the house,
      and that talk would go away."
 He smiles.
 "In order to be a difficult
      writer, you have to be a difficult person," he said.
 And that's just not him.
 When a conversation does turn to
      writing, Reed discusses it in his own roundabout way.
 He asks the listener to discern
      his or her own meaning from his words.
 Like his talk on self-expectation.
 "When I was a kid," he
      says, "my father would take (my brother and me) hunting,
      and I remember how impatient he was with us."
 "With me, I remember very
      distinctively: I'm carrying a double-barreled 20-gauge shotgun
      across the snow, and it's getting deep.
 "I'm wading through this stuff, and (my father's) going,
      'C'mon, c'mon, c'mon.'
 "Now I have a 2-year-old,
      and I find myself not yet doing that, but there seems to be a
      pushing of expectations.
 "It's a little frightening."
      Not everybody appreciates Reed's
      talent. He smiles again when told a local bookseller described
      his work as "grim."o o oHe has heard it before.
 "It occurs to me, when I watch
      other people's faces, that what I do for a living is a pretty
      grim business.
 "If I needed to put together
      a resume, I would say I was one of the great experts at apocalyptic
      crap. I can generate 100 ways in which the Earth dies."
 His wife doesn't find his writing
      depressing, though she may be biased. She finds it real.
 "What I like is he does a
      nice job of making (science fiction) human," she said. "You
      recognize his characters as people."
 Local fan Clark, too, noted the
      emphasis on humanity rather than technology.
 "There is a lot of deep emotion
      in his stuff," Clark said. "Some of it is depressing,
      but I find it engaging."
      Like most writers, Reed draws
      from the world around him.From television. From Lincoln.
      From his family. From the news.
 He's inquisitive. He visits the
      public library at least once a week.
 Friend Kerry Eagan said their Saturday
      morning conversations at a downtown coffee shop will range from
      mad cow disease to inflation to what would happen if a comet
      hit the Earth.
 "He tells me of a number of
      ways the Earth can be annihilated," Eagan said. "He
      also tells me not to get too worried about this stuff."
 Reed worked part time for nine
      years (1978-87) in a Lincoln factory before becoming a full-time
      writer. Factory work, he said, didn't influence his writing,
      but it has affected him in other ways.
 "Occasionally, I'll dream
      I'm in the factory," he said. "That will help me write.
      Not creatively, but more like a prod. I don't want to go back
      there."
 He's anxious to see if fatherhood
      takes him in any new, wondrous directions. He knows he already
      approaches writing dialogue differently.
 "I had a debate with my daughter
      this morning (about) whether she pooped or tooted," he said.
      "It's a line of talk I never really imagined before."
 Reed also is experimenting with
      other genres. He's made a couple of tries at thrillers and has
      penned a "running novel," though he's not sure how
      to sell it.
 "It doesn't have a distinct
      and easily identifiable market," he said. "There isn't
      a long line of running novels."
 His agent told him there was money
      in serial killers.
 "I did the research and got
      really depressed," he said. "That was the worst depression
      I've had. I couldn't write anything about it."
 He does know one thing: "My ability has gone up," he
      said. "I've learned more about how to do this. I make mistakes,
      but when I make mistakes, I know I've done it."
 That's what makes it a whole lot
      easier to respond to the "what ifs."
 Reach Jeff Korbelik at 402-473-7213 or jkorbelik@journalstar.com |